Raags in 22 Shrutis


Here I collect all the information about the exact intonation of each Swara (Interval) used in various Raagas. This list will be updated from time to time.

The information given here is NOT about the typical movements, ornamentations and specific rules for each Raag, also I do not give the information about the up- and down-ward scale. Those you find in the posts on each Raag.

This here is purely to collect the information about intonation only. So you can compare the Raags to each other, which might help to get a better feeling and a better ear-training. The numbers indicates the correction in cents, compared to the European temperated scale, which happend to become a world-wide standard.

The information given here came from Dr. Vidyadhar Oke, you can visit his website … here. Further I can recomment the 5 Chapters of “22 Shrutis Simplified” on YouTube, and also the app “22 Shrutis in 500 Ragas

 

In case you find some mistakes here, or if you can fill the gaps, please feel free to contact me.

 

 Sr1r2R1R2g1g2G1G2m1m2M1M2Pd1d2D1D2n1n2N1N2
(-10)(+11)(-18)(+04)(-06)(+15)(-14)(+08)(-02)(+19)(-10)(+12)(+02)(-08)(+13)(-16)(+06)(-04)(+17)(-12)(+10)
monsoon:
 
Miya Ki MalharSR2g1m1PD1n1N1
Kirwani
early morning:
 
Lalit (=Lalat?)Sr1G1m1M1d1N1
BhairavSr2G1m1Pd2N1
Ahir BhairavSr2G1m1PD1n1
Malaya Marutam
late morning: 
Gujari TodiSr1g1M1d1N1
early afternoon: 
PatdipSR2g2m1PD2N1
Shuddh SarangSR2m1M1PD2N1
Vridavani Sarang
afternoon:
 
BhimpalasiSR1g1m1PD1n1
ShreeSr1G1M1Pd1N1
sunset:
 
MarwaSr1G2M1D2N1
Puriya DhanashriSr1G1M1Pd1N1
early evening:
 
Puriya KalyanSr1G1M1PD1N1
BhoopaliSR1G1PD1
KafiSR2g1m1PD1n1
SaraswatiSR2M1PD2n2
Shyam KalyanSR2G1m1M1PD2N1
evening:
 
YamanSR2G1M1PD2N1
Jhinjhoti
BageshriSR1g1m1PD1n1
RageshriSR1G1m1D1n1
BihaagSR2G1m1M1PD2N1
late evening:
 
Darbari KanadaSR1g1m1Pd1n1
DurgaSR2m1PD1
HansadhvaniSR2G1PN1
late night:
 
JogSg1G1m1Pn1
Shivranjani
ChandrakaunsSg2m1d2N2
MalakaunsSg1m1d1n1
DeshSR2G1m1PD1n1N1
others:
HemavatiSr1g1M1Pd1N1
LatangiSR2G1M1Pd1N1
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